Matrox Mojito Max Card
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- HD/SD-SDI & HDMI Input & Output
- Mac & Windows
- Composite / HD Component / S-Video I/O
- AES/EBU I/O, XLR Input & RCA Output
The Matrox Mojito MAX Professional I/O Card is a dual-platform input/output device that performs hardware-based H.264 encoding and hardware video scaling (up, down, and cross conversion), and offers monitoring calibration tools. Best of all, it works with a long list of professional editing, effects, and encoding applications, so your existing software workflow will only be enhanced by the addition of a hardware I/O card that’s as versatile as this one.
The Mojito MAX is a 3/4-length PCIe card that features HD/SD-SDI & HDMI input/output (along with embedded audio) and includes a breakout cable that accommodates a wide range of both analog & digital audio and analog video signal types. It’s got inputs and outputs for composite, component, and S-Video; there’s also stereo XLR input and stereo analog RCA output, as well as AES/EBU digital audio I/O.
If that’s not enough, the cable also features an RS-422 input for machine control, and genlock I/O that supports both blackburst and tri-level sync. Included software enables you to calibrate your inexpensive HDMI monitor so that you can use it in a broadcast-level workflow.
These features will help integrate your editing suite into the larger video system of your facility, such as it may be, and the hardware-accelerated functions of the Mojito MAX card – H.264 encoding and real-time scaling – will help you get the most of your editing application by shouldering the burden of tasks that otherwise would be performed in software. With certain applications (especially Adobe Premiere for Windows), Mojito MAX will even hardware-accelerate some other processes, and its bundled software introduces functions that are missing from some applications, such as print-to-tape for Final Cut Pro X.
Lightning-Fast H.264 Encoding
Get the Most from Your Favorite Professional Applications
Editing: Adobe Premiere Pro, Final Cut Pro, Avid Media Composer, Boris Media 100
Content creation: Adobe After Effects, Adobe Photoshop, Apple Color, Apple Motion, Apple Soundtrack Pro, Eyeon Fusion, NewTek LightWave 3D
Streaming: Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, Telestream Wirecast
H.264 encoding: Adobe Encore, Adobe Media Encoder, Apple Compressor, Telestream Episode
Blu-ray authoring: Adobe Encore, Roxio Toast
All the I/O You Need
Matrox RT Engine
Closed Captioning
Stream from Any Camera, Anywhere
3D Production and Post
Real-Time 10-Bit Hardware Scaling
HD to SD Downscaling
SD to HD Upscaling
Cross Conversion
Monitoring and Monitor Calibration
Inexpensive HD Monitoring
Broadcast monitors are typically adjusted to meet ITU-R Recommendation BT.709 (also known as Rec 709), the broadcast industry standard for color representation. HDMI displays are typically not adjusted to meet this specification and they are likely to introduce additional signal processing errors that the viewer might not be aware of. The Matrox HDMI Calibration Utility provides a wizard that walks you through a set of patterns that lets you effectively identify and compensate for five improper adjustments that may be present in your HDMI monitor. The goal is to meet the Rec 709 specification as closely as possible, given the characteristics of your particular monitor
True 1:1 Pixel Representation
White & Black Levels
White Point
Gamma Response
Hue & Chroma
Free Matrox Productivity Apps
Matrox Vetura Capture (Mac)
Matrox Vetura Playback (Mac)
Matrox A/V Tools (Windows)
Matrox MAX H.264 Capture (Windows)
Matrox DirectShow Filters (Windows)
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